ANDREA KIRSH
814 S. 48th
Street
Philadelphia, PA 19143
tel:(2151) 729-2551 /
email:akirsh@udel.edu
Adjunct Assistant Professor, Winterthur University of
Delaware Program in Art Conservation
Adjunct Assistant Professor,
Georgetown University Program in Museum Studies
PREVIOUS EMPLOYMENT
Jane Voorhees Zimmerli Art Museum, Rutgers University,
New Brunswick, New Jersey
ASSOCIATE DIRECTOR
January - August, 1994
Administrative and financial oversight of operations, personnel,
development, collections management and long-range planning.
Forum for Contemporary Art (now Contemporary Art Museum, St. Louis), St. Louis,
Missouri EXECUTIVE DIRECTOR 1990-1991
Administration
and programming of downtown arts center;
revised and focused mission statement, programmed for two years,
marketing, development and public relations.
Miami-Dade Art in Public Places, Miami, Florida ASSISTANT DIRECTOR 1988-1990
Administration
of daily operations of major percent for art program; long-range policy
development, regularized
collection of art funds, professionalized conservation program.
Lowe Art Museum, University of Miami, Coral Gables,
Florida CURATOR 1984-1988
Responsible
for eighteen exhibitions annually, collections, education and public programs
in all areas of European and American Art.
Rockland
Center for the Arts, West Nyack, New York ASSISTANT DIRECTOR 1976-1978
Coordinated
teachers in art school of 800 students, programmed two galleries, grant
writing, fundraising, public relations.
CONSULTING WORK AND SHORT-TERM PROJECTS
Taller Puertorriqueno, Philadelphia
CONSULTANT
on arts grants 2007
Planned Parenthood Health Services of Southwest
Oregon, Eugene, Oregon
GRANTS OFFICER 2000-2003 Researched and wrote program
grants
Miami-Dade County Department of Cultural Affairs,
Miami, Florida
RESEARCH CONSULTANT on art commissions in federal
buildings 2000
BÕnai Brith Klutznick National Jewish Museum,
Washington, D.C.
ADMINISTRATIVE CONSULTANT worked with director on
mission statement and governance
2000
St. Augustine Historical Society, St. Augustine,
Florida
ADMINISTRATIVE CONSULTANT long-range planning 1998; CURATORIAL CONSULTANT
program assessment 1995;
CURATOR, MARTIN JOHNSON HEADE
COLLECTION: raised $68,000 budget and supervised conservation of
collection 1991 National
Museum of Women in the Arts, Washington, D.C.
GUEST CURATOR, Carrie Mae Weems 1991-1994
Lowe Art Museum, Coral Gables, Florida
ADMINISTRATOR, HURRICANE EMERGENCY CONSERVATION
PROJECT coordinated emergency recovery and treatment of art damaged by
Hurricane Andrew; secured NEH funding 1992
Bass Museum of Art, Miami Beach, Florida
SPECIAL PROJECTS COORDINATOR coordinated loans, tour
and catalogue for traveling exhibition; staff training 1991
Associated American Artists, New York, New York
RESEARCHER Research and cataloging 15c-20c prints 1979-1980
Chelsea College, London University, London
CURRICULUM CONSULTANT Created course on application of science to art and
archaeology; wrote text
1974
EDUCATION
M.A. in Art History, University of Chicago 1994
M.B.A. University of Miami, School of Business
Administration 1989
B.A. magna cum laude in Fine Arts, Harvard University 1973
AWARDS
2001 College Art Association/Historic Preservation
Award for Distinction in Scholarship and Conservation
Choice
list of Outstanding Academic Books 2000 (Seeing Through Paintings)
SELECTED SERVICE
Board member, College Art Association
2006-2009
Abstracter, Art and Archaeology Technology Abstracts
(Getty Conservation Institute)
since
1999
Taller Puertorriqueno, Philadelphia, Visual Arts
Committee member
since
2006
American Institute of Conservation liaison to College
Art Association
since
2005
Prize Committee, Heritage Preservation/College Art
Association Award in Conservation and Art History 2003-2006
Confidential reviewer - Princeton University Press
SELECTED PUBLICATIONS
Philadelphia Introductions and various reviews for InLiquid.com, since August,2006
(http://www.inliquid.com/commentary/commentary.php#kirsh)
correspondent for Artblog since September, 2006
(www.fallonandrosof.blogspot.com)
Review of From Filippo Lippi to Piero della
Francesca: Fra Carnivale and the Making of a Renaissance Master, Keith Christiansen, ed. in Renaissance Quarterly (Winter 2006) :1316-17.
ÒTowards an Archaeology of Modern Painting; Review of Mondrian;
the Transatlantic Paintings by Harry
Cooper and Ron Spronk,Ò Art History,
25/5 (Nov., 2002)
Seeing Through Paintings; Physical Examination in
Art Historical Studies (in
collaboration with Rustin S. Levenson), Yale University Press, 2000
"Carrie Mae Weems: Issues in Black, White and
Color," in Carrie Mae Weems,
National Museum of Women in the Arts (1993); essay reprinted in Photography
1900 to the Present, Prentice Hall
(1998), Diana Emery Hulick with Joseph Marshall, eds.
Ned Smyth: Three Installations Lowe Art Museum
(1987)
Chris Burden: The Artist and His Models Lowe Art Museum
(1985)